I finally got the last two issues of Uncanny X-Men (#38
and 46) this week. So
now I have all the stories (original or reprinted) from #1 to the
current, which
is at about #370 (?) or so, excepting the reprint years which I didn't
count.
Uncanny X-Men started in 1963, I think, and the changes in the comic
book and
its spinoffs are sort of an interesting look at how Marvel Comics has
done over
the last 35 years.
Like in all the early Marvel titles (Fantastics Four, Thor, Avengers,
Incredible
Hulk, etc) of the time, X-Men (there was no Uncanny in the title back
then)
stories were predominantly written by Stan Lee and a few other Marvel
writers.
Stan doesn't write that much anymore, being more involved with running
Marvel
Comics than in the in-the-trenches work. If you read these early
issues, you can
see a remarkle difference between then and now. Aside from the art,
which tends
to be more stilted, and the printing, which is less glossy and less
colorful,
the dialogue is dramatically different. There is more exposition, with
a greater
breadth of vocabulary than today. It's more about the characters saying
what's
happening rather than having the art show it. This can make these early
issues
a bit of a chore to read, as the volume of dialogue makes it seem like
the plot
is plodding along at a leisurely pace. But I can also see why there
were lots
of people who thought comic books were beneficial in helping kids
interested in
reading and expanding their vocabulary.
Somewhere around issue 67, Marvel Comics decided to stop producing
X-Men.
I suppose it just didn't sell well enough. They eventually restarted
after a
bit by reprinting earlier stories. Issues 68 to 92 are all reprints,
which is
why I don't count them as issues to get other than to cover the earlier
issues
that I don't have. I think these were published bi-monthly, which
throws off
your calculations as to how old the title is, you can't just divide the
current
issue number by 12.
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Starting in issue 93, Chris Claremont took over the
writing and introduced a
new set of X-Men, to form the nucleus of a new team. Cyclops and Jean
Grey
remained, but the other three were written out of the series. Claremont
had the
job for a number of years, and his time as the writer marks what quite
a few
people consider to be the best years of the comic book. Claremont
concentrated
on character development and interactions, and he really brought the
whole
series to life with the Dark Phoenix saga and other plotlines.
Claremont left somewhere in the 200s and after that X-Men became more
of a
franchise. X-Factor and The New Mutants were going relatively strong,
and new
"mutant" comic books like Excalibur and Wolverine were created. More
crossover
stories were introduced, more epic sagas were done, and the whole thing
sort of
retargeted to a younger audience as time went by.
Currently, I still collect Uncanny X-Men, X-Men (another spin-off, now
with the
original name), Wolverine, and X-Force. I interrupted my collection as
Marvel
restarted all the X-titles for a year in a darker alternate universe.
I've
refrained from getting other comics to try to keep the yearly crossover
storyline coherent. I've seen the various major story arcs try to get
bigger
every year in order to outdo the last major event. To a certain extent
it has
been disappointing, although there are still lots of times when I read
a good
issue and feel satisfied with the story. So I keep collecting my comic
books,
knowing that eventually the focus will change, and maybe it'll be
better then.
The reason I liked comics as a kid is the wonderment. Super powers,
villains to
fight, worlds to save, the whole hero thing. X-Men helped change that
to bring
in people who loved the characters for what they were, not
2-dimensional
caricatures, but people who have good and bad qualities. Lately the
stories
have become a sort of broken record: how can we make their lives more
miserable
and what danger can we come up with that will top the last story arc? I
see a
lot of potential for making the stories better, and in the meantime I
still like
reading the comic books on some level.
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