Type:
Theatrical Movie
Year:
2001
Production:
Paramount Pictures
Not having ever played any of the Tomb Raider games
(though I did see Patrick
playing one of the first ones for a few minutes before it bored me), I
can't
compare the accuracy of the motion picture to the game's universe. From
what
I have seen and read though in the media, I didn't see anything in the
movie
that looked really off. Angelina Jolie, as Lady Lara Croft, is perfect
for
the role, although there must have been a fair amount of
post-production to
make sure none of her many tatoos showed onscreen.
We start out in a dark underground place, obviously some
sort of
ancient
construction holding fabulous treasures. Lara stalks down the corrider
in
her form-fitting black tank-top and shorts, high-caliber handguns
strapped
to either thigh. Suddenly, a 10-foot tall pile of automated
destruction,
apparently one of the robotic extras from the Robocop movies, bursts
through
a stone wall and attacks Lara with machine guns and evil-looking claws.
What
follows is an orgy of destruction as both combatants destroy the temple
trying to kill each other. And just about when the giant robot is going
to
pulverize Lara as she reaches for the fabled treasure, she spins around
and
yells "Stop!" The robot freezes, Lara pops out the "Kill Lara" CD and
pops
in "Lara's Party Mix." She then drags the remains of the robot to the
next
room, a workshop in her castle.
Welcome to the world of Lara Croft: archeologist,
sharpshooter, martial
artist, fluent in a variety of languages and with a knack for
"acquiring"
ancient artifacts. She is heiress to Lord Crofts estate and fortune,
living
in her mansion near London with Hilary (Chris Barrie), her butler, and
Bryce
(Noah Taylor), technical and computer expert. It's the 15th of May, the
16th
anniversary of Lord Croft's disappearance. Lara is wakened by a faint
ticking
which she traces to a hidden alcove in the mansion. In the alcove is a
wooden
crate and in the crate is a clock that just started ticking, counting
down to
something.
Meanwhile, the Illuminati have called on Manfred Powell
(Iain Glen) for
a
personal status report. It's the first day of the great conjunction,
when
all the planets in the solar system line up, once every five thousand
years.
They only have one week before full conjunction and Powell still hasn't
found
the key, the key that unlocks the barriers hiding the two halves of an
ancient triangular artifact, purported to give its owner mastery over
time
(but not space). Not to worry, Powell is on the case.
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In the meantime, Lara and crew discover a small
hand-sized relic, emblazoned
with the all-seeing eye, hidden in the clock. Well, Lara has no clue so
she
goes to visit an old friend of her late father who's more of an expert
in
timepieces. On the way she meets Alex Marrs (Daniel Craig), a fellow
"Tomb
Raider" who once stole a find from her. Although she displays a certain
amount of hostility, it's apparent that Lara and Alex were once an
item.
In any case, Lara doesn't get any help from her father's
friend, but
perhaps
another aquaintance can help her, one Manfred Powell, a local barrister
with
a fascination with the all-seeing eye. But there is no help from the
affluent
Powell, though he does seem to display a more than casual interest in
the
artifact.
Later that night, a squad of mercenaries assauly Lara's
mansion,
expending
lots of ammunition and causing extensive damage. Lara has her hands
full
staying alive, and when it's all over the artifact is gone. Well, that
makes
her mad, but how is she going to find the artifact. Enter a UPS
delivery guy
with a message from her late father: a clue which leads her to an old
letter
that her father left Lara. A mission: to prevent the two halves of the
triangle from being found, and a pair of locations giving her the
places
where she will find Powell and her artifact.
So it's against time, spanning the world in seven days
as Lara Croft
tries to
stop Manfred Powell from retrieving both pieces of the triangle and
giving
the Illuminati power incarnate. Lots of action, a fair amount of CGI
though
there was more live-action stunts than I expected, and Angelina Jolie
wielding a pair of big guns. What more could you ask for?
Seriously, I think Tomb Raider is a good adventure
movie, with it's
closest
comparison being The Mummy Returns. In general I think The Mummy
Returns has
the better plot, special effects, and comedy, though the first two are
only
slightly better than in Tomb Raider. But Tomb Raider has a kick-ass
beautiful
fem and doesn't overdo the CGI like The Mummy Returns did. Tomb Raider
is
good enough to go see.
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